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Title
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A photo-essay detailing the creation of an artwork "Den Of Sibyl Wren (2018) for the book "A Hierarchy of Halls" (Published Smithereens Press, 2018)
Details of the image 'Den of Sibyl Wren' by Salma Ahmad Caller
Notes on the process of creating the art work for 'A Hierarchy of Halls' (Smithereens Press, 2018)
My process involves intense working back and forth with words and images in my imagination. I write a lot as part of my creative process as an artist, and these writings help me create and develop visual images. The so-called ‘visual’ image is to me embodied, materialised, haptic and tactile. So the ‘image’ in poetry and metaphorical writing is almost the same as the visual image in art, to me. So there is not a huge gap between text and image. Not in my mind in any case. The flat 2 D image is neither flat nor 2 D – but rather it is a complex and multi-dimensional terrain of emotion, sensation and concept, just as is the written word, especially in poetry.
So it felt very natural to respond to Chris Murray’s very imagistic poetry, which I already love so much.
In preparing to make work in response to A Hierarchy of Halls, I spent time reading and re-reading the poems and reading and re-reading Chris’s little notes she had sent to me via Twitter. And so the The Den of Sibyl Wren emerged. My notes on my own thoughts and responses to reading A Hierarchy of Halls and to what Chris told me about her notion of a Sibyl that represented the wren and its qualities:
- The smallness and greatness of Sibyl Wren, her green den of spaces that we cannot see and her flight paths carved out in the sky. Tiny but potent and majestic in her domain.
- A shamanistic female bird being interpreting or bringing the mysteries of the other worldly to us.
- A materialisation of the invisible.
- A feminine nature of delicacy, strength and bravery. A guardian.
- An oracle seeing into the unknown and leading the reader bravely forwards through pain and difficulty.
- A garden world of tiny potent things.
- A sky above that is carved into great structures and pathways by nature that we cannot see.
- A fecundity and joyfulness. Spring, summer.
- A soaring upwards towards mystery.
- Invisibility of worlds around us and within us.
- The dandelion clock telling of another time besides the time we know.
- A bird shrine under a shadowy tree to the dead bird in Chris’s poem.
- A tiny female presence sitting and moving in an underworld of unseen unspoken spaces.
Twitter Notes
What Chris Murray said in a series of little Twitter notes to me: “The chapbook is called 'a hierarchy of halls' and is about small things, flight, wrens, and huge dreamlike structures are implied. My sibyls and messengers are birdlike creatures/ the little chapbook is called 'a hierarchy of halls' and is about a wren's flight through my garden, am obsessed with bird workings. I didn't see a sibyl specifically in bodies, but the first image on the Poethead page has a little putti. This is how my head works: I see the wren as a type of sibyl, a small messenger, and female. The sibyl should represent the wren! A type of oracle who leads one into the book.
All images & images associated with 'Den of Sibyl wren', 'A Hierarchy of Halls', and 'Gold Friend' are © Salma Ahmad Caller |
Description
A photo-essay detailing the creation of an artwork "Den Of Sibyl Wren (2018) for the book "A Hierarchy of Halls" (Published Smithereens Press, 2018)
Creator
Source
Making Den Of Sibyl Wren Photo-Essay, Published Poethead 26/01/2018
Online URL: https://poethead.wordpress.com/2018/01/26/making-den-of-sibyl-wren-by-salma-ahmad-caller/