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                  <text>Pierre Joris Translates Paul Celan</text>
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                  <text>Paul Celan  (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era.  (Biographical Source: Wiki)&#13;
&#13;
Poethead 2008-2021 hosts translations from Paul Celan's  "Microliths They Are, Little Stones" dated   2017, 2019, 2020. This collection will detail excerpts from the numbered microliths and other related materials in the form of hyperlinks and External URLs. The 'microliths' series of translations from Poethead 2008-2021. The excerpts are numbered 161, 162, 162.1, 162.2, 240-241 | 246. These are excerpts from Joris' translations in progress, later published as "Microliths They are, Little Stones" Contra Mundum Press, 2020&#13;
&#13;
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                  <text>&lt;em&gt;Microliths They are, little stones, Posthmous Prose&lt;/em&gt; by Paul Celan. Translation, Pierre Joris. Published by Contra Mundum Press, 2020.&lt;br /&gt;&lt;br /&gt;Poethead 2008-2021 hosts translations from "microliths" dated 2019-2020. This collection will detail the numbered microliths and related materials in the form of hyperlinks and External URLs. &lt;br /&gt;&lt;br /&gt;Germane to the subject matter is a linked essay by Joris on his approach to the translation of Celan's "Todtnauberg", &lt;em&gt;&lt;a href="http://writing.upenn.edu/epc/authors/joris/todtnauberg.html"&gt;'Translation at the Mountain of Death".&lt;/a&gt;&lt;/em&gt;</text>
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                  <text>Paul Celan (1920-1970), Poet&#13;
Pierre Joris, Translator</text>
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                  <text>Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University.</text>
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                  <text>Contra Mundum Press (Print Edition)&#13;
WordPress (Online Series)</text>
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                  <text>2017-2020</text>
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                  <text>Paul Celan (1920-1950), Poet&#13;
Pierre Joris, Translator</text>
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                  <text>© Paul Celan (1920-1950), Poet&#13;
© Pierre Joris, Translator&#13;
&#13;
Open-Source, WordPress, Online, Digital, Audio, Print Edition</text>
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                  <text>Poetry, Poetics, Translation, </text>
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                <text>Excerpts from 'microliths' by Paul Celan (1920 -1970), English translation by Pierre Joris (2017)</text>
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                <text>&lt;b&gt;Paul Celan&lt;/b&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt; (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as &lt;/span&gt;&lt;b&gt;Paul Antschel&lt;/b&gt;&lt;span&gt; to a &lt;/span&gt;&lt;span&gt;Jewish&lt;/span&gt;&lt;span&gt; family in Cernăuți (German: Czernowitz), in the then &lt;/span&gt;&lt;span&gt;Kingdom of Romania&lt;/span&gt;&lt;span&gt; (now &lt;/span&gt;&lt;span&gt;Chernivtsi&lt;/span&gt;&lt;span&gt;, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–&lt;/span&gt;&lt;span&gt;World War II&lt;/span&gt;&lt;span&gt; era. (Source: &lt;strong&gt;Wiki&lt;/strong&gt;)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The 'microliths' series of translations from &lt;strong&gt;Poethead 2008-2021.&lt;/strong&gt; These excerpts are numbered &lt;strong&gt;161, 162, 162.1, 162.2 &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;These are excerpts from Joris' translations in progress and were later published in&lt;strong&gt; Microliths They are, Little Stones&lt;/strong&gt;, &lt;em&gt;Contra Mundum Press, 2020&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://www.contramundumpress.com/microliths"&gt;https://www.contramundumpress.com/microliths&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hyperallergic Article: Poems in the Language of Death, January 16th 2021, Online URL &lt;a href="https://hyperallergic.com/614769/paul-celan-poems-in-the-language-of-death/"&gt;https://hyperallergic.com/614769/paul-celan-poems-in-the-language-of-death/&lt;/a&gt;&lt;/em&gt;</text>
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                <text>from ‘Microliths’ &lt;br /&gt; I would like to thank Pierre Joris for his translation of Microliths. These translations are © Pierre Joris&lt;br /&gt;&lt;h3&gt;&lt;span&gt;&lt;strong&gt;161&lt;/strong&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span&gt;Re­membering&lt;/span&gt;&lt;br /&gt;&lt;span&gt;also pre­membering, pre­thinking and storing of what could be&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Yeats: I certainly owe more to that poet than to Fr. surreal.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Strange. In front of a candle&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Now I tried to render visible the grain of sand (Buber, Chass. — //Nibelungens[on]g) that had to have been sunk into me too at some time.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Mother, candles, sabbath&lt;/span&gt;&lt;br /&gt;&lt;span&gt;But the poem lead me out of this idea, across to a new level with this idea&lt;/span&gt;&lt;/p&gt;
&lt;h3&gt;&lt;span&gt;&lt;strong&gt;162&lt;/strong&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;h3&gt;&lt;span&gt;&lt;strong&gt;162.1 ­&lt;/strong&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span&gt;It is part of poetry’s essential features that it releases the poet, its crown witness and confidant, from their shared knowledge once it has taken on form.  (If it were different, there would barely be a poet who could take on the responsibility of having written more than one poem.)&lt;/span&gt;&lt;/p&gt;
&lt;h3&gt;&lt;span&gt;&lt;strong&gt;162.2&lt;/strong&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span&gt;—Poetry as event&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Event = truth (“unhiddenness,” worked, fought for unhiddeness)&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Poetry as risk&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Creation = /&lt;em&gt;power­activity /Gewalt­tätigkeit &lt;/em&gt;(Heidegger)&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Truth ≠ accuracy (­i­: consistency)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;–in each first word of a poem the whole of  language gathers itself —&lt;/span&gt;&lt;br /&gt;&lt;span&gt;–handiwork: hand / think through connections&lt;/span&gt;&lt;br /&gt;&lt;span&gt;such as “hand and heart”&lt;/span&gt;&lt;br /&gt;&lt;span&gt;handiwork — heartwork&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Beginning: “Poetry as handiwork”? The handmade crafting of  poetry?&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Pierre Joris</text>
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                <text>Poethead, June 15th 2017, Online URL &lt;a href="https://poethead.wordpress.com/2017/06/15/microliths-and-once-by-paul-celan/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2017/06/15/microliths-and-once-by-paul-celan/&lt;/a&gt;</text>
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                <text>Pierre Joris, WordPress</text>
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                <text>2017-2021</text>
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                <text>Pierre Joris</text>
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              <elementText elementTextId="249">
                <text>Copyright &#13;
© Pierre Joris 2017</text>
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                <text>Celan, the Aphorist Via &lt;a href="https://pierrejoris.com/blog/celan-the-aphorist/"&gt;Nomadics&lt;/a&gt;, and Jacket2 Magazine</text>
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                  <text>Translated Poetry on the Poethead Site 2008-2021</text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>Chris Murray</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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                  <text>Original Poems © the poet&#13;
Original translations © the translator&#13;
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                <text>Foraois Bháistí and other poems - by Doireann Ní Ghríofa</text>
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                <text>Foraois Bháistí (Rainforest), Don Té a Deir nach bhfuil Gá le Bronntanas i mBliana (For One who Says that No Gift is Needed this Year) Faoi Ghlas (Under Lock and Green) by Doireann Ní Ghríofa. These poems are self-translated.</text>
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                <text>&lt;em&gt;&lt;strong&gt;Doireann Ní Ghríofa&lt;/strong&gt;&lt;span&gt; is a bilingual writer working both in Irish and English. Among her awards are the &lt;/span&gt;Rooney Prize for Irish Literature, the Michael Hartnett Prize,&lt;span&gt; and the &lt;/span&gt;Ireland Chair of Poetry bursary&lt;span&gt;. She frequently participates in cross-disciplinary collaborations, fusing poetry with film, dance, music, and visual art. Doireann’s writing has appeared widely, including in &lt;/span&gt;The Irish Times, The Irish Examiner, The Stinging Fly&lt;span&gt;, and &lt;/span&gt;Poetry&lt;span&gt;, and has been translated into many languages, most recently to French, Greek, Dutch, Macedonian, Gujarati, and English. Recent or forthcoming commissions include work for &lt;/span&gt;The Poetry Society (UK), RTÉ Radio 1, Cork City Council &amp;amp; Libraries, The Arts Council/Crash Ensemble,&lt;span&gt; and UCC. Her most recent book is &lt;/span&gt;&lt;strong&gt;Oighear (Coiscéim, 2017)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Foraois Bháistí&lt;/em&gt; (Rainforest), &lt;em&gt;Don Té a Deir nach bhfuil Gá le Bronntanas i mBliana&lt;/em&gt; (For One who Says that No Gift is Needed this Year), &lt;em&gt;Faoi Ghlas&lt;/em&gt; (Under Lock and Green) by Doireann Ní Ghríofa. These poems are self-translated.&lt;br /&gt;&lt;br /&gt;These poems are from &lt;strong&gt;Oighear &lt;/strong&gt;&lt;em&gt;(Published Coiscéim, 2017)&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;Published Poethead 05/02/2017&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2017/02/05/foraois-bhaisti-agus-danta-eile-le-doireann-ni-ghriofa/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2017/02/05/foraois-bhaisti-agus-danta-eile-le-doireann-ni-ghriofa/&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Contemporary Irish Women Poets&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/contemporary-irish-women-poets/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/contemporary-irish-women-poets/&lt;/a&gt;&lt;/em&gt;</text>
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                <text>Doireann Ní Ghríofa</text>
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                <text>Oighear (Published Coiscéim, 2017)</text>
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                <text>Coiscéim, Chris Murray (Online Publisher)</text>
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              <elementText elementTextId="711">
                <text>© Doireann Ní Ghríofa &#13;
The English translations  of Foraois Bháistí and other poems © Doireann Ní Ghríofa</text>
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                <text>Contemporary Irish Women Poets&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/contemporary-irish-women-poets/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/contemporary-irish-women-poets/&lt;/a&gt;&lt;/em&gt;</text>
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                <text>Freda Laughton (1907-1995)</text>
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                <text>"Now I am a Tower of Darkness" and other poems by Freda Laughton (1907-1995) published Poethead 27/09/2014&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Freda Laughton&lt;/strong&gt;&lt;span&gt; (1907-1995) was born in Bristol and moved to Co. Down after her marriage. She published one collection of poetry &lt;/span&gt;&lt;strong&gt;A Transitory House&lt;/strong&gt;&lt;span&gt; (&lt;/span&gt;&lt;em&gt;Jonathan Cape, 1945)&lt;/em&gt;&lt;span&gt;, little else is known of her life and work. She may have lived in Dublin for some time, as her poem &lt;/span&gt;&lt;strong&gt;The Welcome&lt;/strong&gt;&lt;span&gt; details the textures of Dublin City and its suburbs, and suggests she knows the city by heart.  Freda Laughton’s poems were submitted by &lt;/span&gt;&lt;strong&gt;Emma Penney&lt;/strong&gt;&lt;span&gt;, a graduate of the &lt;/span&gt;&lt;em&gt;Oscar Wilde Centre, Trinity College Dublin&lt;/em&gt;&lt;span&gt;. Her thesis, &lt;/span&gt;&lt;strong&gt;Now I am a Tower of Darkness: A Critical History of Poetry by Women in Ireland,&lt;/strong&gt;&lt;span&gt; challenges the critical reception of Eavan Boland and the restrictive criteria, developed in the 1970’s, under which poetry by women in Ireland has been assessed. She considers the subversive nature of women’s poetry written between 1921 and 1950, and calls into question the critical assumption that Eavan Boland represents &lt;/span&gt;&lt;em&gt;“the first serious attempt in Ireland to make a body of poems that arise out of the contemporary female consciousness”.&lt;/em&gt;&lt;span&gt; In &lt;/span&gt;&lt;strong&gt;Object Lessons,&lt;/strong&gt;&lt;span&gt; Boland concluded that there were no women poets before her who communicated &lt;/span&gt;&lt;em&gt;“an expressed poetic life”&lt;/em&gt;&lt;span&gt; in their work. Emma’s thesis reveals how this view has permeated the critical landscape of women’s poetry, facilitating an absurd privation of the history of poetry by women in Ireland and simplifying it in the process.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;(&lt;strong&gt;Biographical Source&lt;/strong&gt;: Emma Penney)&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;References&lt;/strong&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Poetry by Women in Ireland: A Critical Anthology 1870–1970&lt;/strong&gt; edited by Dr Lucy Collins&lt;/p&gt;
&lt;p&gt;Copyright Date: 2012&lt;/p&gt;
&lt;p&gt;Published by: &lt;a href="https://www.jstor.org/publisher/lup"&gt;Liverpool University Press  &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Citation&lt;/strong&gt;: Collins, Lucy, editor. &lt;em&gt;Poetry by Women in Ireland: A Critical Anthology 1870–1970&lt;/em&gt;. Liverpool University Press, 2012. &lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Now I am a Tower of Darkness: A Critical History of Poetry by Women in Ireland, &lt;/strong&gt;Emma Penney&lt;br /&gt;&lt;br /&gt;&lt;span&gt;"Now I am a tower of Darkness; Emerging Genealogies" by &lt;/span&gt;&lt;strong&gt;Walt Hunter &lt;/strong&gt;published Jacket2 Magazine&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;em&gt;&lt;a href="http://jacket2.org/commentary/now-i-am-tower-darkness"&gt;http://jacket2.org/commentary/now-i-am-tower-darkness&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fired! Irish Women Poets and the Canon&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;RASCAL (Research And Special Collections Available Locally) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;em&gt;&lt;a href="http://www.rascal.ac.uk/institutions/fired-irish-women-poets-and-canon" target="_blank" rel="noreferrer noopener"&gt;http://www.rascal.ac.uk/institutions/fired-irish-women-poets-and-canon&lt;/a&gt; &lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;Now I am a Tower of Darkness", "The Welcome", "The Woman with Child"&lt;/em&gt;, by Freda Laughton (1907- 1995) published online, &lt;strong&gt;Poethead,&lt;/strong&gt; 27/09/2014&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2014/09/27/now-i-am-a-tower-of-darkness-and-other-poems-by-freda-laughton/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2014/09/27/now-i-am-a-tower-of-darkness-and-other-poems-by-freda-laughton/&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>&lt;br /&gt;&lt;div class="entry-featured"&gt;&lt;img width="400" height="599" src="https://poethead.files.wordpress.com/2014/09/freda-laughton-from-new-irish-poets-e1601360648114.jpg?w=400" class="attachment-post-thumbnail size-post-thumbnail wp-post-image" alt="" /&gt;&lt;/div&gt;
&lt;h3&gt;&lt;/h3&gt;
"&lt;em&gt;Now I am a Tower of Darkness", "The Welcome", "The Woman with Child"&lt;/em&gt;, by Freda Laughton (1907- 1995) published online, &lt;strong&gt;Poethead,&lt;/strong&gt; 27/09/2014&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2014/09/27/now-i-am-a-tower-of-darkness-and-other-poems-by-freda-laughton/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2014/09/27/now-i-am-a-tower-of-darkness-and-other-poems-by-freda-laughton/&lt;/a&gt;&lt;/em&gt;</text>
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              <elementText elementTextId="423">
                <text>Chris Murray, Emma Penney, Dr. Lucy Collins, Walt Hunter</text>
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            <name>Source</name>
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              <elementText elementTextId="424">
                <text>Jacket2 Magazine, Poetry by Women in Ireland: A Critical Anthology 1870–1970. Editor Lucy Collins, Liverpool University Press, 2012, Poethead, RASCAL, </text>
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              <elementText elementTextId="425">
                <text>Chris Murray</text>
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                <text>2012-2021-</text>
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                <text>Freda Laughton (1907-1995)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="428">
                <text>Copyright the estate of Freda Laughton</text>
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                <text>Poethead</text>
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                <text>Online, Web, Web page, Digital, Print medium</text>
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            <description>A language of the resource</description>
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                <text>Poetry, Poetics, Critical Edition, </text>
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                <text>Web Resource, Print Medium</text>
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                <text>Ireland, Global</text>
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              <name>Title</name>
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                  <text>Translated Poetry on the Poethead Site 2008-2021</text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>Chris Murray</text>
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                  <text>Chris Murray (Online Publisher)</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Original Poems © the poet&#13;
Original translations © the translator&#13;
Self-translations © the poet/ originator</text>
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                <text>Geasa (The Bond) - by Nuala Ní Dhomhnaill</text>
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                <text>Geasa (The Bond) - by Nuala Ní Dhomhnaill published on Poethead 17/12/2011. From &lt;span&gt;&lt;em&gt;Pharaoh’s Daughter &lt;/em&gt;by&lt;/span&gt;&lt;span&gt; Nuala Ní Dhomhnaill, published Gallery Press. 1990&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;This poem was translated into English by poet Medbh McGuckian.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;a href="https://poethead.wordpress.com/2011/12/17/geasa-le-nuala-ni-dhomhnaill/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2011/12/17/geasa-le-nuala-ni-dhomhnaill/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Contemporary Irish Women Poets&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;&lt;em&gt;&lt;a href="https://poethead.wordpress.com/contemporary-irish-women-poets/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/contemporary-irish-women-poets/&lt;/a&gt;&lt;/em&gt;</text>
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                <text>Born in Lancashire, England, of Irish parents, she moved to Ireland at the age of 6, and was brought up in the Dingle Gaeltacht and in Nenagh, County Tipperary. Her uncle, Monsignor Pádraig Ó Fiannachta of Dingle, was a leading authority on Munster Irish. Her mother brought her up to speak English, though she was an Irish speaker herself. Her father and his side of the family spoke very fluent Irish and used it every day, but her mother thought it would make life easier for Nuala if she spoke English instead. She studied English and Irish at UCC in 1969 and became part of the 'Innti' group of poets. In 1973, she married Turkish geologist Doğan Leflef and lived abroad in Turkey and Holland for seven years. One year after her return to County Kerry in 1980, she published her first collection of poetry in Irish, An Dealg Droighin (1981); She later became a member of Aosdána. Ní Dhomhnaill has published extensively and her works include poetry collections, children's plays, screenplays, anthologies, articles, reviews and essays. Her other works include &lt;strong&gt;Féar Suaithinseach&lt;/strong&gt; (1984); &lt;strong&gt;Feis&lt;/strong&gt; (1991), and &lt;strong&gt;Cead Aighnis&lt;/strong&gt; (1998). Ni Dhomhnaill's poems appear in English translation in the dual-language editions Rogha Dánta/Selected Poems (1986, 1988, 1990); The Astrakhan Cloak (1992), Pharaoh's Daughter (1990), The Water Horse (2007), and The Fifty Minute Mermaid (2007). Selected Essays appeared in 2005. Dedicated to the Irish language, she writes poetry exclusively in Irish and is quoted as saying ‘Irish is a language of beauty, historical significance, ancient roots and an immense propensity for poetic expression through its everyday use’. Ní Dhomhnaill also speaks English, Turkish, French, German and Dutch fluently. Ní Dhomhnaill's writings focus on the rich traditions and heritage of Ireland and draw upon themes of ancient Irish folklore and mythology combined with contemporary themes of femininity, sexuality and culture. Her myth poems express an alternative reality and she speaks of her reasons for writing about myths as those that are an integral part of the Irish language and Irish culture. &lt;em&gt;‘Myth is a basic, fundamental structuring of our reality, a narrative that we place on the chaos of sensation to make sense of our lives’&lt;/em&gt; (Biographical Source: &lt;strong&gt;Wikipedia&lt;/strong&gt;)&lt;br /&gt;&lt;br /&gt;Geasa (The Bond) - by Nuala Ní Dhomhnaill published on Poethead 17/12/2011. From &lt;span&gt;&lt;em&gt;Pharaoh’s Daughter &lt;/em&gt;by&lt;/span&gt;&lt;span&gt; Nuala Ní Dhomhnaill, published Gallery Press. 1990&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;This poem was translated into English by poet Medbh McGuckian.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;a href="https://poethead.wordpress.com/2011/12/17/geasa-le-nuala-ni-dhomhnaill/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2011/12/17/geasa-le-nuala-ni-dhomhnaill/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Bond (English translation)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="https://poethead.wordpress.com/2011/12/17/the-bond-by-nuala-ni-dhomhnaill/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2011/12/17/the-bond-by-nuala-ni-dhomhnaill/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Contemporary Irish Women Poets&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="https://poethead.wordpress.com/contemporary-irish-women-poets/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/contemporary-irish-women-poets/&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>Pharoh's Daughter, Published Gallery Press (1990)</text>
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                <text>Nuala Ní Dhomhnaill, Medbh McGuckian</text>
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                <text>Geasa © Nuala Ní Dhomhnaill,&#13;
English Translation © Medbh McGuckian&#13;
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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                  <text>Original Poems © the poet&#13;
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                <text>Haft Seen and other poetry - Shakila Azizzada.</text>
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                <text>"Once Upon a Time, "View From Afar", "Haft Seen" by Shakila Azizzada. &#13;
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The final translated version of the poems are by Mimi Khalvati.&#13;
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Translations facilitated by  Sarah Maguire director of The Poetry Translation Centre.&#13;
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                <text>&lt;strong&gt;Shakila Azizzada&lt;/strong&gt; is a poet from Afghanistan who writes in Dari. Shakila Azizzada was born in Kabul in Afghanistan in 1964. During her middle school and university years in Kabul, she started writing stories and poems, many of which were published in magazines. Her poems are unusual in their frankness and delicacy, particularly in the way she approaches intimacy and female desire, subjects which are rarely adressed by women poets writing in Dari. After studying Law at Kabul University, Shakila read Oriental Languages and Cultures at Utrecht University in The Netherlands, where she now lives. She regularly publishes tales, short stories, plays and poems. Her first collection of poems, Herinnering aan niets (Memories About Nothing), was published in Dutch and Dari and her second collection will be published in 2012. Several of her plays have been both published and performed, including De geur van verlangen (The Scent of Desire). She frequently performs her poems at well-established forums in The Netherlands and abroad.&lt;br /&gt;&lt;br /&gt;(&lt;strong&gt;Biographical Source:&lt;/strong&gt; The Poetry Translation Centre)&lt;br /&gt;&lt;br /&gt; "Once Upon a Time, "View From Afar", "Haft Seen" by Shakila Azizzada, Published online 19/04/2014.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;a href="https://poethead.wordpress.com/2014/04/19/poetry-by-shakila-azizzada/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2014/04/19/poetry-by-shakila-azizzada/&lt;/a&gt;</text>
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                <text>Chris Murray, WordPress</text>
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                <text>© Shakila Azizzada.</text>
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                <text>Lúb ar Lár and other poems - by Máire Dinny Wren</text>
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                <text>Lúb ar Lár and other poems - by Máire Dinny Wren. Original Irish versions followed by English translations by Máire Dinny Wren and Kathryn Daily.&lt;br /&gt;&lt;br /&gt;Published Poethead 31/01/2020&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Contemporary Irish Women Poets&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Online URL &lt;/strong&gt;&lt;em&gt;&lt;a href="https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>&lt;br /&gt;&lt;span&gt;The writer &lt;strong&gt;Máire Dinny Wren&lt;/strong&gt; is from Gaoth Dobhair in Co. Donegal. She writes poetry and short stories. &lt;em&gt;Coiscéim&lt;/em&gt; published her first collection of poetry, &lt;strong&gt;Ó Bhile go Bile,&lt;/strong&gt; in 2011. &lt;em&gt;Éabhlóid&lt;/em&gt; published her collection of short stories, &lt;strong&gt;Go mbeinnse choíche saor&lt;/strong&gt;, in 2016 and &lt;em&gt;&lt;a href="http://www.eabhloid.com/"&gt;Éabhlóid&lt;/a&gt;&lt;/em&gt; also published her second poetry collection, &lt;strong&gt;Tine Ghealáin in 2019&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Her work has been published in &lt;em&gt;Duillí Éireann, Comhar, an tUltach, Feasta, The Bramley, Strokestown Poetry Anthology 3&lt;/em&gt; and four of her stories were published by Éabhlóid in the short story collection, &lt;strong&gt;Go dtí an lá bán&lt;/strong&gt; in 2012.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Máire has won many literary prizes over the years, including, &lt;em&gt;comórtas filíochta Focail Aniar Aduaidh&lt;/em&gt; in  2017 for her poem ‘&lt;em&gt;An Fidléir’&lt;/em&gt;. In 2016 she won the &lt;em&gt;Gael Linn poetry competition Ó Pheann na nGael&lt;/em&gt;. She won &lt;em&gt;Comórtas Filíochta Uí Néill&lt;/em&gt; in 2011 and one of her poems was on the short list for&lt;strong&gt; Duais de hÍde&lt;/strong&gt; in 2019.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;She was the winner of &lt;em&gt;duais Fhoras na Gaeilge&lt;/em&gt; ag Listowel Writers’ Week in 2010 with her short story ‘Ag Téarnamh chun Baile’. A radio adaption of her short story ‘&lt;em&gt;Thar an Tairseach&lt;/em&gt;’ was broadcast by Drama on One, RTÉ radio and was shortlisted for Prix Europa 2013.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(Biographical Source: &lt;span&gt;&lt;strong&gt;Máire Dinny Wren&lt;/strong&gt; )&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Lúb ar Lár and other poems - by Máire Dinny Wren. Original Irish versions followed by English translations by Máire Dinny Wren and Kathryn Daily.&lt;br /&gt;&lt;br /&gt;Published Poethead 31/01/2020&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Contemporary Irish Women Poets&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Online URL &lt;/strong&gt;&lt;em&gt;&lt;a href="https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2020/01/31/lub-ar-lar-and-other-poems-by-maire-dinny-wren/&lt;/a&gt;&lt;/em&gt;</text>
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                <text> Máire Dinny Wren </text>
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              <elementText elementTextId="790">
                <text>Tine Ghealáin  (Éabhlóid, 2019)</text>
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            <name>Publisher</name>
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              <elementText elementTextId="791">
                <text>Éabhlóid, Poethead, Chris Murray</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="792">
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              <elementText elementTextId="793">
                <text>Máire Dinny Wren </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="794">
                <text>Poetry originals © Máire Dinny Wren &#13;
English Translations © Máire Dinny Wren and Kathryn Daily</text>
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                <text>Gaeilge, English</text>
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                <text>Poetry, Poetics, Translation</text>
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                  <text>Translated Poetry on the Poethead Site 2008-2021</text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>Chris Murray</text>
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              <name>Publisher</name>
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                  <text>Chris Murray (Online Publisher)</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="738">
                  <text>Original Poems © the poet&#13;
Original translations © the translator&#13;
Self-translations © the poet/ originator</text>
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              <name>Format</name>
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                  <text>Web Page, Web Resource, Online Publication</text>
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                  <text>English, Gaeilge, German, Korean, Dari, Turkish, French, Italian, Farsi, Romanian, Hungarian, Romany, Latin, Russian</text>
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                  <text>Poetry, Poetics, Translation</text>
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                <text>Mindskin - by Antonella Zagaroli</text>
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                <text>Poetry, Bilingual Edition. Translated from the Italian and introduced by Anamaría Crowe Serrano. Antonella Zagaroli is a poetic phenomenon. She writes prolifically, applies poetry to psychological studies, runs poetic workshops and organizes poetry, art and awareness events in health-care centers, schools and libraries. Her work is fluid and constantly evolving. Mindskin offers a generous selection from two collections of poetry (La maschera della Gioconda/The Gioconda’s Mask and Serrata a ventagli/Fan-locked), a volume of prose poems (La volpe blu/The Blue Fox) and an epic poem (Vinera minima/Minimal Venus).’</text>
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                <text>&lt;p style="font-weight:400;"&gt;&lt;strong&gt;Antonella  Zagaroli&lt;/strong&gt; is a Roman poet living in&lt;span&gt; &lt;/span&gt;&lt;span&gt;San Quirico d'Orcia and a graduate of Modern Languages and Literature from the Faculty of Letters and Philosophy&lt;strong&gt; &lt;/strong&gt;at the Sapienza University&lt;strong&gt; &lt;/strong&gt;in Rome. Her professional career has followed two distinct paths which we outline below, focusing largely on literature.&lt;/span&gt;&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;(&lt;strong&gt;Biographical Source:&lt;/strong&gt; &lt;a href="http://www.literary.it/ali/dati/autori/zagaroli_antonella.html" target="_blank" rel="noreferrer noopener"&gt;http://www.literary.it/ali/dati/autori/zagaroli_antonella.html )&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Anamaría Crowe Serrano&lt;/strong&gt; is a poet and translator born in Ireland to an Irish father and a Spanish mother. She grew up bilingually, straddling cultures, rarely with her nose out of a book. Languages have always fascinated her to the extent that she has never stopped learning or improving her knowledge of them. She enjoys cross-cultural and cross-genre exchanges with artists and poets. Much of her work is the result of such collaborations. With a B.A. (Hons) in Spanish and French from Trinity College Dublin, Anamaría went on to do an M.A. in Translation Studies at Dublin City University. Since then, she has worked in localization (translating hardware and software from English to Spanish), has been a reader for the blind, and occasionally teaches Spanish. For over 15 years she has translated poetry from Spanish and Italian to English. Anamaría is the recipient of two awards from the Arts Council of Ireland to further her writing. Her translations have won many prizes abroad and her own poetry has been anthologised in &lt;strong&gt;Census&lt;/strong&gt; (Seven Towers), &lt;strong&gt;Landing Places&lt;/strong&gt; (Dedalus), &lt;strong&gt;Pomeriggio&lt;/strong&gt; (Leconte) and other publications&lt;/span&gt;&lt;span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Poems from Mindskin by Antonella Zagaroli, English translations by Anamaría Crowe Serrano, published Poethead 13/10/2012.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;a href="https://poethead.wordpress.com/2012/10/13/poems-from-mindskin-by-antonella-zagaroli/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2012/10/13/poems-from-mindskin-by-antonella-zagaroli/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>Chris Murray, WordPress</text>
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            <name>Source</name>
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              <elementText elementTextId="501">
                <text>Antonella Zagaroli</text>
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            <name>Publisher</name>
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                <text>Chelsea Editions, 2011</text>
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            <name>Date</name>
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                <text>2011, 2013 -</text>
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              <elementText elementTextId="504">
                <text>Antonella Zagaroli, Anamaría Crowe Serrano </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="505">
                <text>Poetry © Antonella Zagaroli,&#13;
Translation © Anamaría Crowe Serrano </text>
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                <text>SPD, Chelsea Editions</text>
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              <elementText elementTextId="507">
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                <text>Italian, English, </text>
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                  <text>Visual Arts,  Collage, Ekphrasis, Salma Ahmad Caller, Poetry, photography, HiRISE</text>
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                  <text>Website of &lt;a href="https://www.salmaahmadcaller.com/" target="_blank" rel="noreferrer noopener"&gt;Salma Ahmad Caller&lt;/a&gt;&lt;br /&gt;Making Den of Sibyl Wren &lt;a href="https://poethead.wordpress.com/2018/01/26/making-den-of-sibyl-wren-by-salma-ahmad-caller/"&gt;(Poethead)&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;span&gt;This series of works on paper by artist Salma Ahmad Caller, explores the notion of the female body as an idea that is constructed, made like a folk doll’s body, from materials both real and imagined. The folk doll or fashion model is patterned and marked by how a society thinks about femininity. Each material used to make ‘her’ carries it’s own set of cultural notions, sensations and associations. ‘She’ is often ornamented with patterned textiles, jewels, silk, velvet, embroidery, pearls, shells, tassels, bells, or associated with flowers, fruits and fertility, or with lace, nets, knots and webs, creating textures that carve ‘her’ body into zones of social and sexual importance.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Forces of cultural and social expectations mark and carve our bodies but also the things we touch and feel are etched onto us, mapping zones and patterns of our experiences, our traumas and losses, our sensuality and feeling.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Bringing the biological and the ornamental together to subvert the usual imagery of the female body, Salma uses decorative and ornamental forms, arabesques, whiplash and sinuous lines, and curvilinear shapes in her work, as a language of the biological sensational body, to try and capture the body we feel not the body we think we see.&lt;/span&gt;&lt;/p&gt;
&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;Salma Ahmad Caller&lt;/strong&gt; is an artist and a hybrid of cultures and faiths. She is drawn to hybrid and ornamental forms, and to how the body expresses itself in the mind to create an embodied ‘image’. UK based, she was born in Iraq to an Egyptian father and a British mother and grew up in Nigeria and Saudi Arabia. With a background in art history and theory, medicine and pharmacology, and several years teaching cross-cultural ways of seeing via non-Western artefacts at Pitt Rivers Museum in Oxford, she now works as an independent artist and teacher.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;a href="https://poethead.wordpress.com/2017/07/20/patterns-of-sensation-the-bodies-of-dolls-by-salma-caller/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2017/07/20/patterns-of-sensation-the-bodies-of-dolls-by-salma-caller/&lt;/a&gt;</text>
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                <text>Salma Ahmad Caller website &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;a href="https://www.salmaahmadcaller.com/" target="_blank" rel="noreferrer noopener"&gt;https://www.salmaahmadcaller.com/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Patterns Of Sensation - The Bodies Of Dolls (Poethead 2008 - 2021)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2017/07/20/patterns-of-sensation-the-bodies-of-dolls-by-salma-caller/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2016/11/30/the-infinite-body-of-sensation-visual-poetry-by-salma-caller/&lt;/a&gt;&lt;/em&gt;</text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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                  <text>Original Poems © the poet&#13;
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                <text>Poems from "Barefoot Souls" - by Maram Al-Masri</text>
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                <text>&lt;strong&gt;Maram Al-Masri&lt;/strong&gt;&lt;span&gt; is from Lattakia in Syria, now settled in Paris. She studied English Literature at Damascus University before starting publishing her poetry in Arab magazines in the 1970s. Today she is considered one of the most renowned and captivating feminine voices of her generation. Besides numerous poems published in literary journals, in several Arab anthologies and in various international anthologies, she has published several collections of poems. Thus far her work has been translated into eight languages. Maram al-Masri has participated in many international festivals of poetry in France and abroad. She has been awarded the “Adonis Prize” of the Lebanese Cultural Forum for the best creative work in Arabic in 1998, the “Premio Citta di Calopezzati” for the section “Poesie de la Mediterranee” and the “Prix d’Automne 2007” of the Societe des gens de letters. Her poetry collections include “Karra humra’ ala bilat abyad” (Red Cherry on the White Floor) and “Undhur Ilayk” (I look at you).&lt;br /&gt;&lt;br /&gt;(&lt;strong&gt;Biographical Source&lt;/strong&gt;: &lt;/span&gt;&lt;em&gt;&lt;em&gt;&lt;span&gt;&lt;a href="https://www.arcpublications.co.uk/writers/maram-al-masri"&gt;Arc Publications&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/em&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Theo Dorgan&lt;/strong&gt; is a poet, novelist, prose writer, documentary screenwriter, editor, translator and broadcaster.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;His poetry collections are &lt;em&gt;The Ordinary House of Love&lt;/em&gt; (Galway, Salmon Poetry, 1991); &lt;em&gt;Rosa&lt;/em&gt; &lt;em&gt;Mundi&lt;/em&gt; (Salmon Poetry, 1995); and&lt;em&gt; Sappho’s Daughter&lt;/em&gt; (Dublin, wave Train Press 1998). In 2008 Dedalus Press published &lt;em&gt;What This Earth Cost Us&lt;/em&gt;, reprinting Dorgan’s first two collections with some amendments. After &lt;em&gt;Greek&lt;/em&gt;(Dublin, Dedalus Press, 2010), his most recent collection is &lt;em&gt;Nine Bright Shiners&lt;/em&gt;(Dedalus Press 2014). &lt;em&gt;Songs of Earth and Light&lt;/em&gt;, his versions from the Slovenian of Barbara Korun, appeared in 2005 (Cork, Southword Editions). In 2015 his translations from the French of the Syrian poet Maral al-Masri, BAREFOOT SOULS, appeared from ARC Publications, UK.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;He has also published a selected poems in Italian, &lt;em&gt;La Case ai Margini del Mundo&lt;/em&gt;, (Faenza, Moby Dick, 1999), and a Spanish translation of Sappho’s Daughter &lt;em&gt;La Hija de Safo&lt;/em&gt;, (Madrid, Poesía Hiperión, 2001). &lt;em&gt;Ellenica&lt;/em&gt;, an Italian translation of Greek, appeared in 2011 from &lt;br /&gt;Edizioni Kolibris in Italy. &lt;br /&gt;&lt;br /&gt;(&lt;strong&gt;Biographical&lt;/strong&gt; &lt;strong&gt;Source&lt;/strong&gt;: &lt;em&gt;&lt;a href="http://aosdana.artscouncil.ie/Members/Literature/Dorgan.aspx?Cnuas=1"&gt;Aosdána&lt;/a&gt;&lt;/em&gt;)&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;Poems from "Barefoot Souls" - by Maram Al-Masri translated by Theo Dorgan. Published Poethead 2008-2021.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;a href="https://poethead.wordpress.com/2016/06/24/poems-from-barefoot-souls-by-maram-al-masri/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2016/06/24/poems-from-barefoot-souls-by-maram-al-masri/&lt;/a&gt;</text>
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                <text>&lt;strong&gt;Arc Publications&lt;/strong&gt; &lt;a href="Arc%20Publications" target="_blank" rel="noreferrer noopener"&gt;https://www.arcpublications.co.uk/writers/maram-al-masri&lt;/a&gt;</text>
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                <text>Poems © Maram Al-Masri&#13;
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                <text>&lt;strong&gt;Poethead&lt;/strong&gt; was established in 2008. The site was conceived and planned as a woman-friendly publishing platform that prioritises women poets, their translators, and their editors. This space has been open to beginning and established poets regardless of their age, experience, or ethnicity for thirteen years. The striking imbalance and lack of parity of esteem accorded to Irish women’s writing is collated and archived at Fired! Irish Women Poets and the Canon and at RASCAL (Research And Special Collections Available Locally). Submissions to this site are closed. &lt;br /&gt;&lt;br /&gt;Poethead is one of only two Irish publishing platforms that host indexes centered in women’s literary art. Irish women’s poetry has been continuously neglected and canonically ignored. There are two indexes built into Poethead that are dedicated to women poets, an &lt;strong&gt;Index Of Women Poets&lt;/strong&gt; is devoted to women poets from many countries. While &lt;strong&gt;Contemporary Irish Women Poets&lt;/strong&gt; represented an ongoing attempt to index contemporary women poets from Ireland. Billy Mills’ site &lt;strong&gt;Elliptical Movements&lt;/strong&gt; carries an Irish Women Poets Category which is concerned in publishing the work of some earlier Irish women poets. I am interested in poetic processes, experimental poetry, translated work, and visual poetry. That we have a small poetry avant-garde in these areas is very clear, that they are not supported or encouraged by Irish poetry book editors is also clear. An overweening emphasis on the book as product reduces the field of poetry to a narrow conservatism that is not actually reflective of poetry’s renaissance as an art form. Publishers are not using digital tools to create platforms for encouraging new work, nor are they creating accessible digital archives. There is a very real need for more platforms to showcase new and experimental work by emerging poets. How the reader encounters the poem and the visibility of the poet in a digital age should be matters of import to all publishers and editors of poetry in planning their long-term digital strategies. &lt;br /&gt;&lt;br /&gt;Historical and contemporary neglect In Ireland, an undue emphasis on the post-colonial and heroic narratives effectively locked out women poets. Our literary narratives have mistrusted modernism, experimentalism, and sexual anarchism. Current cultural discourses eschew the influence of Irish women poets in the canon. The choices that were made and continue to be made site poetry written by Irish women in the 1960s and 1970s with little to show before that era. A very recent improvement in the platforming of women poets has only occurred within the last decade and has done absolutely nothing to address previous absences from the canon. The causes and issues of women poets’ exclusion remain unaddressed by the major publishers and universities who have improved their lists but ignored their own historical failures. &lt;br /&gt;&lt;br /&gt;The editors’ categories on the Poethead site are relatively new and include references to the funding and editing of women editors and translators. My posts and articles are about the women editors who have brought such writers as Simone Weil, Julian of Norwich, Dante and others to a contemporary audience. The list of women editors mentioned in the blog includes&lt;em&gt; Eavan Boland, Cate Marvin, Marion Glasscoe, Dorothy L. Sayers and Joan Dargan,&lt;/em&gt; to name but a few. Poethead carries links to the Universal Declaration of Linguistic Rights and to UBUWEB, both are concerned with the issue of the poet’s voice, the dissemination of literature, and in the intellectual rights of writers to the ownership of their own work. I like sites such as Jacket 2, Nomadics, Poetry Ireland, Guernica, and Harriet and I frequently link to them. About Copyright and CC-Licenses on Poethead. &lt;br /&gt;&lt;br /&gt;Copyright of individual poems published on this site remains with the author and/or translator of the work. The Poethead site uses cc-licenses to identify this owner’s right to assert ownership of the site and to her original works published therein. These works include original poems, critiques, reviews, and essays by C. Murray. Most of those CC-Licenced poems have been previously published in Irish Journals or in online magazines.</text>
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                <text>Internet Archive &lt;a href="https://archive.org/details/@christine-elizabeth"&gt;(personal a/c)&lt;/a&gt;</text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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Original translations © the translator&#13;
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                <text>&lt;strong&gt;Kim Myeong-sun&lt;/strong&gt; was born in 1896 in Pyongyang, Korea. She debuted in 1917 when her short story A Girl in Doubt appeared in Youth [Chungchun]. In 1919, while she was studying abroad in Tokyo, she joined Korea’s first literary circle Creation [Changjo], which is reputed as the harbinger of modern Korean literary style. She published her first book of poems The Fruit of Life in 1925, which is also the first book of poems published by a Korean woman. Kim was known as quinti-lingual, and she introduced works of Edgar Allan Poe and Charles Baudelaire to Korean readers for the first time. Along with the literary movement, Kim was also a central figure in the feminism movement of her time. She argued that the world would achieve peace rather than war if women could play a major role in sociopolitics. Moreover, she openly supported free love, and her practice of free love subjected Kim to severe criticism. The fact she was a date rape victim and a daughter of a courtesan hardened the criticism, even among the writers who were close to her. After she fled to Tokyo in 1939, her mental health exacerbated due to extreme financial hardship, failed relationship, and ongoing criticism, and Kim spent rest of her life in Aoyama psychiatric hospital in Tokyo. While her year of death is known to be 1951, this date is not officially verified. &lt;br /&gt;&lt;br /&gt;(&lt;strong&gt;Biographical Source&lt;/strong&gt;: Sean Jido Ahn)&lt;br /&gt;&lt;br /&gt;&lt;h4&gt;&lt;span&gt;A note about the translator&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Sean Jido Ahn&lt;/strong&gt; is a literature student and a translator residing in Massachusetts, USA. His main focus is Korean to English translation, and he has translated a documentary, interviews, journal articles, and literary pieces. Currently, he runs a poetry translation blog &lt;em&gt;&lt;a href="http://www.ahntranslation.com/"&gt;&lt;strong&gt;AhnTranslation&lt;/strong&gt; &lt;/a&gt;&lt;/em&gt; and plans to publish the first edition of a literary translation quarterly for Korean literature in fall 2017.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;em&gt;Pomegranate &amp;amp; other poems&lt;/em&gt; by &lt;em&gt;Kim Myeong-sun&lt;/em&gt;, translated by &lt;em&gt;Sean Jido Ahn were published on Poethead on 19/02/2017&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL: &lt;/strong&gt;&lt;a href="https://poethead.wordpress.com/2017/02/19/pomegranate-and-other-poems-by-kim-myeong-sun-translated-by-sean-jido-ahn/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2017/02/19/pomegranate-and-other-poems-by-kim-myeong-sun-translated-by-sean-jido-ahn/&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;a href="https://poethead.files.wordpress.com/2017/02/2016102000105_0.jpg"&gt;&lt;img class="alignleft size-full wp-image-71580" src="https://poethead.files.wordpress.com/2017/02/2016102000105_0.jpg?w=720" alt="2016102000105_0" /&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Poem © Ileana Mãlãncioiu&#13;
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                <text>&lt;strong&gt;Salma Ahmad Caller&lt;/strong&gt;&lt;span&gt;&lt;strong&gt; &lt;/strong&gt;is an artist and a hybrid of cultures and faiths. She is drawn to hybrid and ornamental forms, and to how the body expresses itself in the mind to create an embodied ‘image’. UK based, she was born in Iraq to an Egyptian father and a British mother and grew up in Nigeria and Saudi Arabia. With a background in art history and theory, medicine and pharmacology, and several years teaching cross-cultural ways of seeing via non-Western artefacts at Pitt Rivers Museum in Oxford, she now works as an independent artist and teacher.&lt;br /&gt;&lt;br /&gt;The titles are all - Detail from &lt;strong&gt;Infinite Bodies&lt;/strong&gt; series - graphite, Indian Ink, watercolour, collage and gold pigment on paper - 59.4cm x 84.1cm&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;a href="https://poethead.files.wordpress.com/2016/11/salmacallerartistsstatement.pdf" target="_blank" rel="noreferrer noopener"&gt;Artist's Statement &lt;strong&gt;PDF&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;th&gt;
&lt;h2&gt;&lt;span&gt;&lt;strong&gt;Nets entangling objects&lt;/strong&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;Bones of birds&lt;/span&gt;&lt;br /&gt;&lt;span&gt;The insides of shells&lt;/span&gt;&lt;/p&gt;
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                <text>Salma Ahmad Caller website &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;a href="https://www.salmaahmadcaller.com/" target="_blank" rel="noreferrer noopener"&gt;https://www.salmaahmadcaller.com/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Infinite Body of Sensation (Poethead 2008 - 2021)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL&lt;/strong&gt;: &lt;em&gt;&lt;a href="https://poethead.wordpress.com/2016/11/30/the-infinite-body-of-sensation-visual-poetry-by-salma-caller/#:~:text=%20%E2%80%9CThe%20Infinite%20Body%20of%20Sensation%E2%80%9D%3A%20Visual%20poetry,a%20hybrid%20of%20cultures%20and%20faiths.%20More%20" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2016/11/30/the-infinite-body-of-sensation-visual-poetry-by-salma-caller/&lt;/a&gt;&lt;/em&gt;</text>
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            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="478">
                <text>Visual, Textual</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="479">
                <text>Visual Arts, Imagery, Poetry, Poetics</text>
              </elementText>
            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="480">
                <text>Web Resource</text>
              </elementText>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="481">
                <text>Global</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="85">
                  <text>Translated Poetry on the Poethead Site 2008-2021</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="86">
                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="734">
                  <text>Chris Murray</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="735">
                  <text>Chris Murray (Online Publisher)</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2008, 2020</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="737">
                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="738">
                  <text>Original Poems © the poet&#13;
Original translations © the translator&#13;
Self-translations © the poet/ originator</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="739">
                  <text>Web Page, Web Resource, Online Publication</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English, Gaeilge, German, Korean, Dari, Turkish, French, Italian, Farsi, Romanian, Hungarian, Romany, Latin, Russian</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="741">
                  <text>Poetry, Poetics, Translation</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Web Resource</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="743">
                  <text>Global</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Three Poems - by Müesser Yeniay</text>
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                <text>"Now Do Not Tell Me Of Men!",  "Between My Body and the World", "Flower Village" Three poems by Müesser Yeniay published Poethead 12/07/2014. These poems are self-translated.</text>
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                <text>&lt;br /&gt;&lt;span&gt;&lt;strong&gt;Müesser Yeniay&lt;/strong&gt; was born in İzmir, Turkey in 1984. She graduated from Ege University, with a degree in English Language and Literature. She has won several prizes in Turkey including &lt;em&gt;Yunus Emre&lt;/em&gt; (2006), &lt;em&gt;Homeros Attila İlhan &lt;/em&gt;(2007), &lt;em&gt;Ali Riza Ertan&lt;/em&gt; (2009), &lt;em&gt;Enver Gökçe&lt;/em&gt; (2013) poetry prizes.&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Her first book &lt;strong&gt;Dibine Düşüyor Karanlık da&lt;/strong&gt; was published in 2009 and her second book &lt;strong&gt;Evimi Dağlara Kurdum&lt;/strong&gt; is a collection of translation from world poetry. &lt;strong&gt;Yeniden Çizdim Göğü&lt;/strong&gt; was published in 2011. She has translated the poems of Persian poet Behruz Kia under the name of Lalelere Requiem. She has translated Selected Poems of Gerard Augustin together with Eray Canberk, Başak Aydınalp, Metin Cengiz (2011). She has also translated the Personal Anthology of Michel Cassir together with Eray Canberk and Metin Cengiz (2011). Lately, she has published a Contemporary Spanish Anthology with Metin Cengiz and Jaime B. Rosa. She has also published a book on modern Turkish Avant-garde poetry &lt;strong&gt;The Other Consciousness: Surrealism and The Second New&lt;/strong&gt; (2013). Her latest poetry book&lt;strong&gt; Before Me There Were Deserts&lt;/strong&gt; was published in 2014 in İstanbul.&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Her poems have appeared in the following magazines abroad:&lt;em&gt; The Voices Project, The Bakery, Sentinel Poetry, Yellow Medicine Review, Shot Glass Journal, Poesy, Shampoo, Los Angeles Review of Books, Mediterranean Poetry (USA&amp;amp;England); Kritya (India); Casa Della Poesia, Libere Luci (Italy); Poeticanet, Poiein (Greece); Revue Ayna, Souffle, L’oiseau de feu du Garlaban (France); Al Doha (Qatar); Tema (Croatia)&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Her poems have been translated into English, French, Serbian, Arabic, Hebrew, Italian, Greek, Hindi, Spanish and Romanian. She participated in the poetry festivals like Sarajevo International Poetry Festival, September 2010 (Bosnia-Herzegovina); Nisan International Poetry Festival, May 2011 (Israel); Belgrad International Poetry Festival, September 2012 (Serbia); Voix Vives International Poetry Festival (Sete), July 2013 (France); Kritya International Poetry Festival, September 2013 (India), Galati/Antares International Poetry Festival, June 2014 (Romania).&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Müesser is the editor of the literature magazine &lt;strong&gt;Şiirden&lt;/strong&gt; (of Poetry). She is currently pursuing a PhD in Turkish literature at Bilkent University, Ankara, and is also a member of PEN and the Writers Syndicate of Turkey.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;(&lt;strong&gt;Biographical Source&lt;/strong&gt;: Müesser Yeniay)&lt;br /&gt;&lt;br /&gt;"Now Do Not Tell Me Of Men!", "Between My Body and the World", "Flower Village" Three poems by Müesser Yeniay published Poethead 12/07/2014. These poems are self-translated.&lt;br /&gt;&lt;br /&gt;Online URL: &lt;a href="https://poethead.wordpress.com/2014/07/12/three-poems-by-muesser-yeniay/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2014/07/12/three-poems-by-muesser-yeniay/&lt;/a&gt;</text>
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                <text>Müesser Yeniay</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="559">
                <text>Poethead</text>
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            <name>Publisher</name>
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              <elementText elementTextId="560">
                <text>Chris Murray, WordPress</text>
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              <elementText elementTextId="561">
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              <elementText elementTextId="562">
                <text>Müesser Yeniay</text>
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          </element>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="563">
                <text>© Müesser Yeniay</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Şiirden (of Poetry)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="565">
                <text>Web Page, Online</text>
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          </element>
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            <description>A language of the resource</description>
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              <elementText elementTextId="566">
                <text>English</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="567">
                <text>Poetry, poetics, Translation</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Web Resource</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="569">
                <text>Global</text>
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  <item itemId="16" public="1" featured="1">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="270">
                  <text>Chapbooks and Pamphlets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="271">
                  <text>Poetry chapbooks and pamphlets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Chapbooks and pamphlets are an inherent part of the poet's toolbox. They allow poets to focus on single themes, or to focus in on particular personal interests that may not 'fit' into the remit of a collection. The chapbook and/ or pamphlet can be created alongside a collection, or represent a tandem from it. This collection features highlights from chapbooks and pamphlets linked by the poets or hosted as hyperlinks in the sidebar.</text>
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              <name>Creator</name>
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                <elementText elementTextId="273">
                  <text>Chris Murray</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="274">
                  <text>Internet Archive, Smithereens Press, Eclipse Archive, Scorpion Press Archive, McFarlin Library Special Collections</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="275">
                  <text>Internet Archive, Smithereens Press, Eclipse Archive, Wordpress, Scorpion Press,</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1914-2021</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="277">
                  <text>Open-Source, copyrights, </text>
                </elementText>
              </elementTextContainer>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="278">
                  <text>Web, Digital , Online, ISSUU, Printed  Text, Chapbooks, Pamphlets</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="279">
                  <text>English, Latin</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="280">
                  <text>Poetry, Poetics</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="281">
                  <text>Web Resource</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="282">
                  <text>Global</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Geraldine Plunkett Dillon, Doris Lessing, Jennifer Matthews, Chris Murray</text>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="390">
                  <text>UCD Special Collections, McFarlin Library Special Collections, Internet Archive, Smithereens Press, Candle Press, Scorpion Press Archive</text>
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          <element elementId="50">
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                <text>Three Red Things  - by Chris Murray (2013)</text>
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              <elementText elementTextId="284">
                <text>Three Red Things&#13;
&#13;
Published 04/06/2013&#13;
&#13;
Smithereens Press&#13;
Electronic chapbook - ISSUU -PDF&#13;
Public Domain Mark 1.0&#13;
Open-source &#13;
Internet Archive&#13;
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              <elementText elementTextId="285">
                <text>&lt;strong&gt;Christine Elizabeth Murray&lt;/strong&gt;&lt;span&gt; is an Irish poet and feminist who works to improve the visibility of women writers. She graduated from &lt;/span&gt;&lt;a href="https://en.wikipedia.org/wiki/University_College_Dublin" title="University College Dublin"&gt;University College Dublin&lt;span&gt; &lt;/span&gt;&lt;/a&gt;&lt;span&gt;with a degree in Art History and English Literature. She qualified as a stone cutter and has worked with the &lt;/span&gt;&lt;a href="https://en.wikipedia.org/wiki/Office_of_Public_Works" title="Office of Public Works"&gt;Office of Public&lt;span&gt; &lt;/span&gt;&lt;/a&gt;&lt;span&gt;Works in Ireland. Two historic sites she has worked on are &lt;/span&gt;&lt;a href="https://en.wikipedia.org/wiki/Ross_Castle" title="Ross Castle"&gt;Ross Castle&lt;span&gt; &lt;/span&gt;&lt;/a&gt;&lt;span&gt;and &lt;/span&gt;&lt;a href="https://en.wikipedia.org/wiki/Ardfert_Cathedral" title=""&gt;Ardfert&lt;span&gt; &lt;/span&gt;&lt;/a&gt;&lt;span&gt;Cathedral in County Kerry. Murray writes poetry predominantly for publication though she has done performance poetry. She founded &lt;/span&gt;&lt;i&gt;Poethead&lt;span&gt; &lt;/span&gt;&lt;/i&gt;&lt;span&gt;which is dedicated to women writers and is a member of &lt;/span&gt;&lt;i&gt;Fired! Irish Women Poets and the Canon&lt;/i&gt;&lt;span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;(Source: &lt;/strong&gt;&lt;a href="https://en.wikipedia.org/wiki/Christine_Murray" target="_blank" title="Wiki" rel="noreferrer noopener"&gt;Wiki&lt;/a&gt;&lt;strong&gt;&lt;a href="https://en.wikipedia.org/wiki/Christine_Murray" target="_blank" title="Wiki" rel="noreferrer noopener"&gt;)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Three Red Things&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Published 04/06/2013 &lt;br /&gt;Smithereens Press &lt;br /&gt;&lt;em&gt;Electronic chapbook - ISSUU -PDF&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Smithereens Press ceased publishing in 2019. The Chapbook is now uploaded to Internet Archive at &lt;strong&gt;Online URL&lt;/strong&gt; &lt;a href="https://archive.org/details/ThreeRedThingsByChristineMurrayLibre"&gt;https://archive.org/details/ThreeRedThingsByChristineMurrayLibre&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PDF Version:&lt;/strong&gt; &lt;a href="https://ia800306.us.archive.org/5/items/ThreeRedThingsByChristineMurrayLibre/Three_Red_Things_by_Christine_Murray-libre.pdf"&gt;https://ia800306.us.archive.org/5/items/ThreeRedThingsByChristineMurrayLibre/Three_Red_Things_by_Christine_Murray-libre.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Series themed chapbook that seeded two later collections. This work is © Chris Murray.&lt;br /&gt;&lt;br /&gt;Public Domain Mark 1.0&lt;br /&gt;Open-source&lt;br /&gt;&lt;dl class="metadata-definition"&gt;&lt;dt&gt;&lt;/dt&gt;
&lt;/dl&gt;&lt;span&gt; &lt;/span&gt;</text>
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&lt;p&gt;&lt;strong&gt;Liliana Ursu &lt;/strong&gt;Born 1949, in Sibiu, Romania.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;CAREER:&lt;/i&gt;&lt;span&gt; &lt;/span&gt;Writer, translator, and educator. Creative-writing professor at University of Louisville, KY, and University of Bucharest, Romania; Pennsylvania State University, former educator. Stadler Center for Poetry, Bucknell University, poet-in-residence, 2003; Romania Culturala, Bucharest, radio producer.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;AWARDS, HONORS:&lt;/i&gt;&lt;span&gt; &lt;/span&gt;Two-time winner of Fulbright scholarship from Pennsylvania State University.&lt;/p&gt;
(&lt;strong&gt;Biographical Source:&lt;/strong&gt; &lt;a href="https://www.encyclopedia.com/arts/educational-magazines/ursu-liliana-1949" target="_blank" rel="noreferrer noopener"&gt;https://www.encyclopedia.com/arts/educational-magazines/ursu-liliana-1949)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Two Poems - by Liliana Ursu translated by Tess Gallagher, Adam J. Sorkin. &lt;br /&gt;"Poem with a Griffin, a Pike and Peacocks", "In The Forest" by Liliana Ursu published 21/11/2008 (Poethead 2008-2021)&lt;br /&gt;&lt;br /&gt;&lt;span&gt;These two poems are taken from the Bloodaxe published book,  &lt;/span&gt;&lt;span&gt;&lt;strong&gt;The Sky Behind the Forest &lt;/strong&gt;&lt;/span&gt;&lt;span&gt;by Poet Liliana Ursu. It is translated by &lt;/span&gt;&lt;span&gt;&lt;a class="zem_slink" title="Tess Gallagher" href="http://en.wikipedia.org/wiki/Tess_Gallagher"&gt;Tess Gallagher&lt;/a&gt;&lt;/span&gt;&lt;span&gt; and Adam Sorkin.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;a href="https://poethead.wordpress.com/2008/11/21/two-poems-by-liliana-ursu/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2008/11/21/two-poems-by-liliana-ursu/&lt;/a&gt;&lt;/span&gt;</text>
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&lt;p&gt;&lt;span&gt;&lt;strong&gt;Gülten Akın&lt;/strong&gt; was born in Yozgat in 1933. She studied law at Ankara University and worked as a lawyer and teacher for many years in various parts of Anatolia where she traveled with her husband and children. One of the pioneers of 20th century Turkish literature, her early poems were more informed by personal ideas and experiences, while her more mature work focused on social issues. In her poetry, she strived for simplicity and a desire to be understood by the ordinary reader. She won many awards for her work, and her final book of poems, &lt;i&gt;Beni Sorarsan&lt;/i&gt;, was published in 2013.&lt;br /&gt;&lt;br /&gt;(&lt;strong&gt;Biographical Source&lt;/strong&gt;: Saliha Paker and Mel Kenne, translators)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;The poems "Spring", "Summer", "Woman's Song", "Song of a Dweller in a High-rise Block", "Elegy For The Right Arm Of &lt;span&gt;Musa Akbaba From Lower Cinbolat", "Gardens And Vines", from "Poems of 42 Days", by &lt;strong&gt;Gülten Akın &lt;/strong&gt;and translated by Saliha Paker and Mel Kenne were published on the Poethead site on 29/10/2016.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Online URL:&lt;/strong&gt; &lt;a href="https://poethead.wordpress.com/2016/10/29/womans-song-and-other-poems-by-gulten-akin/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2016/10/29/womans-song-and-other-poems-by-gulten-akin/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Gülten Akın (1933-2015)&#13;
Saliha Paker, Mel Kenne (translators)</text>
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              <elementText elementTextId="535">
                <text>© Gülten Akın (1933-2015)&#13;
Translations © Saliha Paker, Mel Kenne</text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. </text>
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                  <text>Between the Years 2008- 2020, the Poethead website hosted categories and tags concerned with the art of poetry translation. &lt;br /&gt;&lt;br /&gt;Submitted poetry emanated from translators, poets, and editors. The original poetry is copyrighted to the poet and the translated poem is copyrighted to the translator. There is a strong Irish translated poetry presence on the site which includes work written and/ or translated by M&lt;em&gt;ary O'Donnell, &lt;/em&gt;&lt;span&gt;&lt;em&gt;Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure&lt;/em&gt; and &lt;em&gt;Theo Dorgan&lt;/em&gt;, among others.&lt;/span&gt;</text>
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                  <text>&lt;em&gt;Mary O'Donnell, Nuala Ní Dhomhnaill, Medbh McGuckian, Doireann Ní Ghríofa, Biddy Jenkinson, James Gleasure, Theo Dorgan, Mimi Khalvati, The Poetry Translation Centre, Zuzanna Olszewska, &lt;span&gt; Máire Mhac an tSaoi, Nuala Ní Chonchúir, &lt;/span&gt;Mel Kenne, Saliha Paker, Müesser Yeniay, Máire Dinny Wren, Kathryn Daily, Anamaría Crowe Serrano ...&lt;/em&gt;</text>
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                  <text>Original Poems © the poet&#13;
Original translations © the translator&#13;
Self-translations © the poet/ originator</text>
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                <text>You Will Remain an Example - by Tal Al-Mallouhi</text>
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                <text>You Will Remain an Example - by Tal Al-Mallouhi, translated from Arabic by Ghias Aljundi.</text>
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                <text>&lt;span&gt;“&lt;/span&gt;&lt;strong&gt;The Writers in Prison Committee&lt;/strong&gt;&lt;span&gt; of PEN International condemns the five-year sentence handed down on 14 February &lt;strong&gt;2011&lt;/strong&gt; to blogger, poet and high school student &lt;strong&gt;Tal Al-Mallouhi&lt;/strong&gt; on the charge of “divulging information to a foreign state”. No evidence has been provided for the charge against her, and PEN International believes that Al-Mallouhi is sentenced for her online writings and poems. This violates the right to freedom of expression as guaranteed by Article 19 of the International Covenant on Civil and Political Rights, to which Syria is a party. PEN calls for her immediate and unconditional release.”&lt;br /&gt;&lt;br /&gt;About &lt;a href="https://en.wikipedia.org/wiki/Tal_al-Mallohi" target="_blank" rel="noreferrer noopener"&gt;Tal Al-Malouhi &lt;/a&gt;&lt;br /&gt;&lt;a href="https://pen.org/advocacy-case/tal-al-mallouhi/" target="_blank" rel="noreferrer noopener"&gt;PEN America&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You Will Remain an Example - by Tal Al-Mallouhi, translated from Arabic by Ghias Aljundi. Published Poethead 18/02/2011&lt;br /&gt;&lt;br /&gt;Online URL: &lt;a href="https://poethead.wordpress.com/2011/02/18/a-poet-in-prison-tal-al-mallouhi/" target="_blank" rel="noreferrer noopener"&gt;https://poethead.wordpress.com/2011/02/18/a-poet-in-prison-tal-al-mallouhi/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Tal Al-Mallouhi</text>
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                <text>"You Will Remain an Example" © Tal Al-Mallouhi&#13;
Translated poem © Ghias Aljundi&#13;
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