1 20 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre Joris Translates Paul Celan Subject The topic of the resource Paul Celan (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era. (Biographical Source: Wiki) Poethead 2008-2021 hosts translations from Paul Celan's "Microliths They Are, Little Stones" dated 2017, 2019, 2020. This collection will detail excerpts from the numbered microliths and other related materials in the form of hyperlinks and External URLs. The 'microliths' series of translations from Poethead 2008-2021. The excerpts are numbered 161, 162, 162.1, 162.2, 240-241 | 246. These are excerpts from Joris' translations in progress, later published as "Microliths They are, Little Stones" Contra Mundum Press, 2020 Description An account of the resource Microliths They are, little stones, Posthmous Prose by Paul Celan. Translation, Pierre Joris. Published by Contra Mundum Press, 2020. Poethead 2008-2021 hosts translations from "microliths" dated 2019-2020. This collection will detail the numbered microliths and related materials in the form of hyperlinks and External URLs. Germane to the subject matter is a linked essay by Joris on his approach to the translation of Celan's "Todtnauberg", <a href="http://writing.upenn.edu/epc/authors/joris/todtnauberg.html">'Translation at the Mountain of Death".</a> Creator An entity primarily responsible for making the resource Paul Celan (1920-1970), Poet Pierre Joris, Translator Source A related resource from which the described resource is derived Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University. Publisher An entity responsible for making the resource available Contra Mundum Press (Print Edition) WordPress (Online Series) Date A point or period of time associated with an event in the lifecycle of the resource 2017-2020 Contributor An entity responsible for making contributions to the resource Paul Celan (1920-1950), Poet Pierre Joris, Translator Rights Information about rights held in and over the resource © Paul Celan (1920-1950), Poet © Pierre Joris, Translator Open-Source, WordPress, Online, Digital, Audio, Print Edition Relation A related resource Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University, WordPress Format The file format, physical medium, or dimensions of the resource Web Page, PDF, Online, Digital, Print Edition, PDF Language A language of the resource English, German Type The nature or genre of the resource Poetry, Poetics, Translation, Identifier An unambiguous reference to the resource within a given context Web Resource Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Global Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource microliths 240-241 | 246 by Paul Celan, English translation by Pierre Joris. (Excerpts) Subject The topic of the resource Paul Celan (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era. (Source: Wiki) Continuing the <a href="https://ph1.omeka.net/admin/collections/show/6">Pierre Joris Translates Paul Celan Collection</a> Items in the collection include: <div id="dublin-core-subject" class="element"> <div class="element-text five columns omega"> The "microliths" series, and "Todtnauberg" (Translation at the Mountain of Death) Poethead 2008-2021 hosts translations from Paul Celan's "Microliths They Are, Little Stones" dated 2019-2020. This collection will detail the numbered microliths and related materials in the form of hyperlinks and External URLs. <a href="https://ph1.omeka.net/items/show/14">Excerpts from 'microliths' by Paul Celan, English translation by Pierre Joris (2017)</a> Description: The 'microliths' Series of translations from Poethead 2008-2021. These excerpts are numbered 161, 162, 162.1, 162.2 Online URL:<a href="http://writing.upenn.edu/epc/authors/joris/todtnauberg.html">http://writing.upenn.edu/epc/authors/joris/todtnauberg.html</a> Book Source: </div> </div> <div id="dublin-core-description" class="element"> <div class="element-text five columns omega"> Microliths They are, little stones, Posthumous Prose by Paul Celan. Translation, Pierre Joris. Published by Contra Mundum Press, 2020. "Todtnauberg: In Heidegger's Germany there is no room for Paul Celan." Pierre Joris' essay on his approach to the translation of Paul Celan's "Todtnauberg". University of Pennsylvania (UPENN), Electronic Poetry Center, 1988 </div> </div> Description An account of the resource <pre> ____________ [These are Celan’s first notes toward the conference project “On the Darkness of Poetry” which remained unfinished.] <a href="http://www.pierrejoris.com/" target="_blank" rel="noreferrer noopener">Pjoris</a> 240 240.1 || Mysticism as wordlessness Poetry as form 241.2 The poem is inscribed as the figure of the whole language, but language remains invisible; what is actualizing itself — language — steps, as soon as it has happened, back into the realm of the possible.“Le poème,” writes Valéry, “est du langage à l’état naissant;” /“Poetry,” writes Valéry, “is language in the state of being born;”/ Language in statu nascendi, thus, language freeing itself. 241 241.1 Yesyes, not only the Geiger-, the “syllable-counters ” too, though despised by a literature that calls itself engaged, register something. ———————————— ↑ → 241.2 aesthesis is not enough; the … ;noesis is not enough; … ; what’s needed is personal presence, what’s needed is conversation; conversation and entertainment are different things; conversations are demanding, straining. 241.3 ——–——– Idea of the bracket (voicedness) syncope also the this vibrato of the words has se- mantic relevance 241.4 ______ The poet: always in partibus infidelium 241.5 ______ Das Kampaner Tal, p. 51, footnote: ↓ ||... “as on the Jews’ houses (in memory of ruined Jerusalem), something always has to be left unfinished.” to remember in the poem — remembrance as absence — 241.6 Language planes || Nationallibr.: Bühler — 241.7 ______ No syllogistic enriched with this or that theory of association, no logistic will ever be able to do justice to the fact of “poem” — the alleged thought- or language-scheme of the poem is never “finished.” ______ 241.8 syntactic (and other!) bracketings ______ 241.9 Oppositeness? ______ 241.10 Multivocity ______ 241.11 139. Psalm: nox illuminatio mea ... darkness is like the light 246 246.1 an uneasiness similar to that in “Lyrik-Dichtung) relation to the word → “Schrifttum / literature” The uneasiness Lyrik (which Heine the progress therein uses…) Tension between Lyrik = Dichtung <del>Questions</del> Lyric Poetry “Problems of <del>Poetry”</del> 246.2 We live in a brightly lit time, a time that illustrates everything; lyric poetry has a cosmopolitan trait: “Felice notte!” our so beneficially contradictory god poetizes. Benn… 246.3 _______ The secret marriage the word contracts in the poem with the real and the true is called “wild” mainly by those who do not want to forgo their lushly comfortable, well-guarded culture-harem and — especially — the eunuchal services that come with it. (Poetry certainly does not threaten this seraglio with any kind of abduction) 246.3 The — oh so wordily lamented — loss of tradition: the legitimism of those who “legitimize” themselves everywhere, so as not to have to justify themselves to themselves.</pre> Creator An entity primarily responsible for making the resource Pierre Joris Source A related resource from which the described resource is derived <a href="https://poethead.wordpress.com/2019/02/02/microliths-240-241-by-paul-celan/">microliths 240-241</a> | Poethead | Publisher An entity responsible for making the resource available Chris Murray Date A point or period of time associated with an event in the lifecycle of the resource February 2nd 2019 Contributor An entity responsible for making contributions to the resource Pierre Joris Rights Information about rights held in and over the resource © Pierre Joris Format The file format, physical medium, or dimensions of the resource Digital, textual, web Language A language of the resource German, English Type The nature or genre of the resource Web, Open-Source Identifier An unambiguous reference to the resource within a given context Web Resource Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Global Relation A related resource Poetry Foundation, Jacket2Magazine, Poethead Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre Joris Translates Paul Celan Subject The topic of the resource Paul Celan (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era. (Biographical Source: Wiki) Poethead 2008-2021 hosts translations from Paul Celan's "Microliths They Are, Little Stones" dated 2017, 2019, 2020. This collection will detail excerpts from the numbered microliths and other related materials in the form of hyperlinks and External URLs. The 'microliths' series of translations from Poethead 2008-2021. The excerpts are numbered 161, 162, 162.1, 162.2, 240-241 | 246. These are excerpts from Joris' translations in progress, later published as "Microliths They are, Little Stones" Contra Mundum Press, 2020 Description An account of the resource Microliths They are, little stones, Posthmous Prose by Paul Celan. Translation, Pierre Joris. Published by Contra Mundum Press, 2020. Poethead 2008-2021 hosts translations from "microliths" dated 2019-2020. This collection will detail the numbered microliths and related materials in the form of hyperlinks and External URLs. Germane to the subject matter is a linked essay by Joris on his approach to the translation of Celan's "Todtnauberg", <a href="http://writing.upenn.edu/epc/authors/joris/todtnauberg.html">'Translation at the Mountain of Death".</a> Creator An entity primarily responsible for making the resource Paul Celan (1920-1970), Poet Pierre Joris, Translator Source A related resource from which the described resource is derived Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University. Publisher An entity responsible for making the resource available Contra Mundum Press (Print Edition) WordPress (Online Series) Date A point or period of time associated with an event in the lifecycle of the resource 2017-2020 Contributor An entity responsible for making contributions to the resource Paul Celan (1920-1950), Poet Pierre Joris, Translator Rights Information about rights held in and over the resource © Paul Celan (1920-1950), Poet © Pierre Joris, Translator Open-Source, WordPress, Online, Digital, Audio, Print Edition Relation A related resource Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University, WordPress Format The file format, physical medium, or dimensions of the resource Web Page, PDF, Online, Digital, Print Edition, PDF Language A language of the resource English, German Type The nature or genre of the resource Poetry, Poetics, Translation, Identifier An unambiguous reference to the resource within a given context Web Resource Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Global Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Excerpts from 'microliths' by Paul Celan (1920 -1970), English translation by Pierre Joris (2017) Subject The topic of the resource Paul Celan (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era. (Source: Wiki) The 'microliths' series of translations from Poethead 2008-2021. These excerpts are numbered 161, 162, 162.1, 162.2 These are excerpts from Joris' translations in progress and were later published in Microliths They are, Little Stones, Contra Mundum Press, 2020 Online URL: <a href="https://www.contramundumpress.com/microliths">https://www.contramundumpress.com/microliths</a> Hyperallergic Article: Poems in the Language of Death, January 16th 2021, Online URL <a href="https://hyperallergic.com/614769/paul-celan-poems-in-the-language-of-death/">https://hyperallergic.com/614769/paul-celan-poems-in-the-language-of-death/</a> Description An account of the resource from ‘Microliths’ I would like to thank Pierre Joris for his translation of Microliths. These translations are © Pierre Joris <h3>161</h3> Remembering also premembering, prethinking and storing of what could be Yeats: I certainly owe more to that poet than to Fr. surreal. Strange. In front of a candle Now I tried to render visible the grain of sand (Buber, Chass. — //Nibelungens[on]g) that had to have been sunk into me too at some time. Mother, candles, sabbath But the poem lead me out of this idea, across to a new level with this idea <h3>162</h3> <h3>162.1 </h3> It is part of poetry’s essential features that it releases the poet, its crown witness and confidant, from their shared knowledge once it has taken on form. (If it were different, there would barely be a poet who could take on the responsibility of having written more than one poem.) <h3>162.2</h3> —Poetry as event Event = truth (“unhiddenness,” worked, fought for unhiddeness) Poetry as risk Creation = /poweractivity /Gewalttätigkeit (Heidegger) Truth ≠ accuracy (i: consistency) –in each first word of a poem the whole of language gathers itself — –handiwork: hand / think through connections such as “hand and heart” handiwork — heartwork Beginning: “Poetry as handiwork”? The handmade crafting of poetry? Creator An entity primarily responsible for making the resource Pierre Joris Source A related resource from which the described resource is derived Poethead, June 15th 2017, Online URL <a href="https://poethead.wordpress.com/2017/06/15/microliths-and-once-by-paul-celan/" target="_blank" rel="noreferrer noopener">https://poethead.wordpress.com/2017/06/15/microliths-and-once-by-paul-celan/</a> Publisher An entity responsible for making the resource available Pierre Joris, WordPress Date A point or period of time associated with an event in the lifecycle of the resource 2017-2021 Contributor An entity responsible for making contributions to the resource Pierre Joris Rights Information about rights held in and over the resource Copyright © Pierre Joris 2017 Relation A related resource Celan, the Aphorist Via <a href="https://pierrejoris.com/blog/celan-the-aphorist/">Nomadics</a>, and Jacket2 Magazine Format The file format, physical medium, or dimensions of the resource Web Page Language A language of the resource English, German Type The nature or genre of the resource Poetry, poetics, Translation Identifier An unambiguous reference to the resource within a given context Web Resource Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Global Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre Joris Translates Paul Celan Subject The topic of the resource Paul Celan (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era. (Biographical Source: Wiki) Poethead 2008-2021 hosts translations from Paul Celan's "Microliths They Are, Little Stones" dated 2017, 2019, 2020. This collection will detail excerpts from the numbered microliths and other related materials in the form of hyperlinks and External URLs. The 'microliths' series of translations from Poethead 2008-2021. The excerpts are numbered 161, 162, 162.1, 162.2, 240-241 | 246. These are excerpts from Joris' translations in progress, later published as "Microliths They are, Little Stones" Contra Mundum Press, 2020 Description An account of the resource Microliths They are, little stones, Posthmous Prose by Paul Celan. Translation, Pierre Joris. Published by Contra Mundum Press, 2020. Poethead 2008-2021 hosts translations from "microliths" dated 2019-2020. This collection will detail the numbered microliths and related materials in the form of hyperlinks and External URLs. Germane to the subject matter is a linked essay by Joris on his approach to the translation of Celan's "Todtnauberg", <a href="http://writing.upenn.edu/epc/authors/joris/todtnauberg.html">'Translation at the Mountain of Death".</a> Creator An entity primarily responsible for making the resource Paul Celan (1920-1970), Poet Pierre Joris, Translator Source A related resource from which the described resource is derived Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University. Publisher An entity responsible for making the resource available Contra Mundum Press (Print Edition) WordPress (Online Series) Date A point or period of time associated with an event in the lifecycle of the resource 2017-2020 Contributor An entity responsible for making contributions to the resource Paul Celan (1920-1950), Poet Pierre Joris, Translator Rights Information about rights held in and over the resource © Paul Celan (1920-1950), Poet © Pierre Joris, Translator Open-Source, WordPress, Online, Digital, Audio, Print Edition Relation A related resource Contra Mundum Press, Jacket2 Magazine, Poetry Magazine, PENN State University, WordPress Format The file format, physical medium, or dimensions of the resource Web Page, PDF, Online, Digital, Print Edition, PDF Language A language of the resource English, German Type The nature or genre of the resource Poetry, Poetics, Translation, Identifier An unambiguous reference to the resource within a given context Web Resource Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Global Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Celan / Heidegger: "Translation at the Mountain of Death" by Pierre Joris Subject The topic of the resource Paul Celan (1920 – 1970) was a Romanian-born German-language poet and translator. He was born as Paul Antschel to a Jewish family in Cernăuți (German: Czernowitz), in the then Kingdom of Romania (now Chernivtsi, Ukraine), and adopted the pseudonym "Paul Celan". He became one of the major German-language poets of the post–World War II era. (Source: Wiki) Celan / Heidegger: "Translation at the Mountain of Death" by Pierre Joris "Todtnauberg": In Heidegger's Germany there is no room for Paul Celan. Pierre Joris' essay on his approach to the translation of Paul Celan's "Todtnauberg". University of Pennsylvania (UPENN), Electronic Poetry Center. Online URL: <a href="http://writing.upenn.edu/epc/authors/joris/todtnauberg.html">http://writing.upenn.edu/epc/authors/joris/todtnauberg.html</a> <pre>"TODTNAUBERG" TODTNAUBERG Arnika, Augentrost, der Arnica, eyebright, the Trunk aus dem Brunnen mit dem draft from the well with the Sternwürfel drauf, star-die on top, in der in the Hütte, Hütte, die in das Buch written in the book - wessen Namen nahms auf - whose name did it record vor dem meinen? - before mine - ? die in dies Buch in this book geschriebene Zeile von the line about einer Hoffnung, heute, a hope, today, auf eines Denkenden for a thinker's kommendes word Wort to come, im Herzen, in the heart, Waldwasen, uneingeebnet, forest sward, unleveled, Orchis und Orchis, einzeln, orchis and orchis, singly, Krudes, später, im Fahren crudeness, later, while driving, deutlich, clearly, der uns fährt, der Mensch, he who drives us, the man, der's mit anhört, he who also hears it, die halb- the half- beschrittenen Knüppel- trod log- pfade im Hochmoor, trails on the highmoor, Feuchtes, humidity, viel. much. </pre> Description An account of the resource Pierre Joris' translations of Paul Celan include <a href="https://flashpointmag.com/Doug_Valentine_Interview_with_Pierre_Joris.htm">Breathturn Into Timestead, The Collected Later Poetry,</a> A Bilingual Edition Translated and with Commentary by Pierre Joris, Farrar, Straus and Giroux, 2014 <a href="https://www.contramundumpress.com/microliths">Microliths They are, Little Stones</a>, Contra Mundum Press, 2020 Interviews of the process of translating Celan include "Under the Language, A Conversation with Pierre Joris on Paul Celan", LARB, 20/01/2021, Online URL <a href="https://lareviewofbooks.org/article/under-the-language-a-conversation-with-pierre-joris-on-paul-celan/">https://lareviewofbooks.org/article/under-the-language-a-conversation-with-pierre-joris-on-paul-celan/</a> <a href="https://jacket2.org/commentary/paul-celan-microliths-translated-pierre-joris">Jacket2 Magazine</a>, <a href="https://www.poetryfoundation.org/harriet/2020/11/the-new-yorker-revisits-paul-celan">The New Yorker Revisits Paul Celan at Harriet</a> (Poetry Foundation). This essay delineates the translatory process for "Todtnauberg" and as such is germane to the process of Joris' translations of the microliths (prose fragments) that are hosted in three series on the Poethead website. Creator An entity primarily responsible for making the resource Pierre Joris Source A related resource from which the described resource is derived UPENN, The Electronic Poetry Center (EPC), Jacket2 Magazine, Harriet, Poetry Foundation, Poethead, Contra Mundum Press Publisher An entity responsible for making the resource available The University of Pennsylvania, The Electronic Poetry Center Date A point or period of time associated with an event in the lifecycle of the resource 1988 Rights Information about rights held in and over the resource Open-Source, Digital, Copyright Format The file format, physical medium, or dimensions of the resource Text, Digital Language A language of the resource English, German Type The nature or genre of the resource Essay Identifier An unambiguous reference to the resource within a given context Web Resource Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Global